A map is a subjective representation of geographical space. An org chart is a map of the hierarchical relationships between people. A party is a social gathering of invited guests to celebrate something. A calendar is a visual representation of time. We are surrounded by ideas that we don’t often think about because they’ve been ingrained in our brains since childhood, and we are constantly relying on existing models to navigate the world around us and operate our daily lives.
Professionals across various industries have historically relied on concepts to communicate and sell ideas. Concepts are very common in advertising, branding, marketing, graphic design, fashion, architecture, and many more creative fields. It all comes down to the human brain's innate attraction to narrative and metaphor and how we can leverage this to push ideas forward.
A strong concept starts with branding. Amazon promises to deliver any product from A to Z; FedEx's arrow conveys speed.
A concept is also about business strategy. Costco's $1.50 hotdog shows its commitment to low prices.
Redbull walks the talk. Their positioning of "pushing the limits" translates into their extreme sports investment.
Fashion designer Clare Waight Keller explored airy and playful concepts that informed her Uniqlo collection.
Great designers are able to distill the essence of a strategy and transmute it (through a mockup, a storyboard, a sentence, a quote, a metaphor, or a story) into a form that stakeholders can grasp and embrace.
In the context of digital product design, a concept can help convey the principles and functionalities of the system it represents. If I tell you I’m designing “a calendar for your emotions,” you immediately start to imagine what that app looks like, the types of actions you can take there, and how things are organized. All concepts start from a previous, familiar idea. Designers are often stitching together established mental models—the building blocks of our everyday understanding—to create something new.
Although designers are often the ones creating visual representations of a concept, everyone on the team could (and should) participate in defining the conceptual model that the product will follow. This shared understanding is pivotal, as it influences every facet of the product—from feature set to visual language, from tone of voice to technical implementation. As a designer, the more you involve your stakeholders in that process, the higher the chances your product vision will come to life in a cohesive way.
You know you've nailed a concept when you hear someone else articulating it in their own words, effortlessly and with clarity. The purpose is self-evident, leaving no room for ambiguity. Simplicity is not synonymous with ease, though; distilling complex ideas into their purest form is a skill that requires both mastery and restraint.
The visual language and visual affordances in a product play a pivotal role in shaping users' mental models of how they’ll interact with that product. A well-crafted interface leverages visual cues to guide users, making interactions feel natural and predictable.
UI initially leveraged the familiarity of physical objects. As people have grown more comfortable with digital products, visual concepts evolved to be less skeuomorphic.
Over time, calendar concepts also evolved to solve different needs.
A checklist of requirements is not a design; it's a recipe for mediocrity. Design is about critical thinking. It’s about the things you decide NOT to include. Great designers know how to strategically question requirements, say no, and prioritize what really matters. The first step is to have a clear understanding of the problem you’re trying to solve.
Designers often use the word “concept” when referring to fun, dribbble-esque, motion-heavy UI ideas. But the UI is merely the surface layer. A true concept delves deeper, providing a clear strategic solution to a clear problem. A flashy UI creates the impression of a fully fleshed-out concept where there might not be one.
A high volume of UI options can create the illusion of choice but can actually hinder decision-making if they lack strategic differentiation. Strong concepts are distinct in their approach, addressing the problem from significantly diverse angles. When ideating on possible paths forward, designers should consider different framings for the problem, not different executions for the same solution.
The Lotus Temple in New Delhi has a simple yet bold architectural concept.
They should help others imagine a future no one thought was possible. They should spark imagination and defy convention. They should be radically simple, so they can force teams to make difficult decisions. If a product is trying to be everything for everyone, it risks becoming diluted and forgettable.
There’s a time and place for different discussions. Oftentimes, in the absence of strategic arguments, peers might raise tactical commentary when reviewing conceptual work (the classic “have you thought about the empty state” comment). But while it's tempting to address every potential scenario immediately, tackling edge cases prematurely can derail the process and hinder the development of a strong conceptual foundation. Great designers know that they will be able to design for specific scenarios once the concept is solidified.
Products that start with a conceptual model have higher chances of remaining coherent as they evolve and as new features are added. Concepts act as a touchstone, reminding the team of the product's fundamental purpose and guiding decisions about future development. If you compromise on the concept, you kill the product.